Contents: Volume XXXVII, Issue 68
| Brenda Miller |
Letter from the Editor |
2013 Contest Winners
49th Parallel Poetry Award
| Kevin Clark |
Judge’s Comments |
| Jane Satterfield |
Elegy with Trench Art and Asanas |
Annie Dillard Award for Creative Nonfiction
| Dinah Lenney |
Judge’s Comments |
| Karen McElmurray |
Strange Tongues |
Tobias Wolff Award for Fiction
| Marjorie Sandor |
Judge’s Comments |
| Tegan Swanson |
Things We Found When the Water Went Down |
Poetry
| Shawn Fawson |
How to Manage Anxiety |
| Emily Hipchen |
Middle Class Pater Noster, 1974 |
| Mary Angelino |
Dali’s Meditative Rose |
|
Ariadne’s Thread |
| Anna Claire Hodge |
Royal Wedding Commemorative Mug |
| Leah Nielsen |
McGill Pain Questionnaire |
|
Quality of Life Scale:
A Measure of Function for People with Pain |
|
Automatic Thoughts on God and Lost Keys |
| Susan Rich |
Endless Forms, More Beautiful |
| Jocelyn Sears |
To Survive |
| Kathleen Spivack |
Stands Alone |
| Katharine Whitcomb |
Balfour |
| Jenna Rindo |
In the Unlikely Event of a Water Landing |
| John Fry |
Debris Field |
Fiction
| Mark D. Baumgartner |
Diamonds and Rust |
| Rachel Hall |
Block Party |
| Julia Elliot |
Step Five |
Creative Nonfiction
| Barbara Hurd |
To Keep an Ear to the Ground |
| Patricia Brieschke |
Beans, Love, and Revolution |
| Emily Watson |
Securing the Shadow |
| Denise Duhamel and Julie Marie Wade |
Word Problems |
| Molly Howes |
The Witch’s Stitch |
| Kate St. Vincent Vogl |
When Charley Comes Home |
Interview
| Brenda Miller |
“The Moon and the Tide” |
|
with Denise Duhamel and Julie Marie Wade |
Artwork
| Karen Molenaar Terrell |
Bellingham Bay Boardwalk |
|
Chuckanut Rocks |
|
Padden |
|
Man Under Boardwalk |
| Terry Nelson |
Sea Stones, Kelp |
|
Sea Stones, Water |
|
Sea Stones, Wood |
Cover Art: I Want to Sing by Dale Gottleib
The painting was the preliminary work for a commissioned piece of art, by Linda Gardner of the Lucia Douglas Gallery, for the new Cancer Center at St. Joe’s. Of the creation process, Gottlieb says, “I found a Rumi quote, which spoke to every molecule in my being. Also at the same time, I was studying the birds of artist Charlie Harper, with whom I feel a deep connection.”
For ordering info contact us at bellingham.review@wwu.edu