Touching What Scorches
Form, fragments, and new motherhood in Jazmina Barrera’s Linea Nigra These days pour out like water through a sieve and This is how many of my sentences end these days: interrupted, still searching for the…
Bellingham Review Contributor
Annelise Jolley
Annelise Jolley is an essayist and journalist who writes about place, motherhood, ecology, and faith. Her work appears in The Rumpus, National Geographic, The Atavist, The Millions, Brevity, and EcoTheo Review, among others. Her work has received a James Beard Award, a Dart Award, an Overseas Press Club Award, and honorable mention in The Best American Travel Writing. Annelise holds an MFA in creative nonfiction writing from Seattle Pacific University. She lives in San Diego.