We Are Just Three Mouths
A rifle on my shoulder, I am in the henhouse again.
The scream is one pitch too high for human. The weasel
is a white scarf at her throat, pas de deux of feather and fur.
Bellingham Review Archives
A rifle on my shoulder, I am in the henhouse again.
The scream is one pitch too high for human. The weasel
is a white scarf at her throat, pas de deux of feather and fur.
Dessicated and abandoned,
they lie on the window sill
above the kitchen sink. Each morning,
the sun shrivels the clinging flesh
as they wait
There are few people to whom Loulou the Pomeranian can speak his mind honestly and not be
seen a philistine. “I sometimes grow disenchanted with the Renaissance,” he can say to the
master.
Karin Lin-Greenberg’s fiction piece, “Perspective for Artists” is featured in Issue 71 of the Bellingham Review. What would you like to share with our readers about the work you contributed to the Bellingham Review? Although this piece is about students studying art, it sprang from my contemplation about whether writing can be taught. As someone who makes my …
Clayton Clark’s poem, “The Laws of Motion” is featured in Issue 71 of the Bellingham Review. What would you like to share with our readers about the work you contributed to the Bellingham Review? I like to integrate scientific topics, especially health and the human body, into my poems, and as a result, I usually end …
Jennifer Bullis’ poem “Amanda Bubbles Crafts a New Creation Story” is featured in Issue 71 of the Bellingham Review. What would you like to share with our readers about the work you contributed to the Bellingham Review? For the past several years, to make up for a deficit in my earlier education, I’ve been reading mythology. …
Caitlin Scarano’s poems, “Twenty Years” and “For the Occasion,” are featured in Issue 71 of the Bellingham Review. What would you like to share with our readers about the work you contributed to the Bellingham Review? I wrote “Twenty Years” in November 2014. That semester, I was in a graduate poetry workshop taught by the very talented …
Eric Maroney’s story “Uncertain Origins” is featured in Issue 71 of the Bellingham Review. What would you like to share with our readers about the work you contributed to the Bellingham Review? Uncertain Origins was a conscious attempt to write a new kind of story. I am deeply drawn to stories with Jewish themes and issues, and …
Suzanne Sigafoos’ essay “Green” is featured in Issue 71 of the Bellingham Review. What would you like to share with our readers about the work you contributed to the Bellingham Review? As I read “Green” in its current shape, here in Volume 71, I remember an over-the-top feeling as I worked on the first draft: I was …
Kelly Fine’s essay “Shadows and Smoke” is featured in Issue 71 of the Bellingham Review. What would you like to share with our readers about the work you contributed to the Bellingham Review? “Shadows and Smoke” is a slightly altered excerpt from a longer essay, “Sabbath,” about savoring the world’s beauty when there are so many reasons …