Issue 92

Set Before a Feast We Lift a Fork

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I’m covered in notes, paper scraps, jottings, 
so acute the letters appear about to leap
off the paper’s edge. I can say things of use—
I’m sometimes good for that—elsewhere
is where I fall. Like a hotel across the world
no longer required, three precise puffs
and it drops. Touch the screen to make it
implode again—a Middle Stone Age person
might think like that. I think. What do I know?
Crows remember the face of someone cruel.
Pass the data along to the next generation.
I’ll pause to let that lap at your hull.
What have you told your child or dog
they’ve remembered? Let’s both arrive
beside a supermarket. How did you get
here? How did you? We both came in cars,
but we’re talking about something else.
Everyone in my life flashmobs me if I step
outside the house. Or it just feels that way.
You request a butternut squash. I pull on
my cap, get in the car, and drive to a place
I believe contains butternut squash. A few
pale beige bodies stacked waist-high, their
handles pointing this way and that.
“If they don’t have any, or they look bad,
an acorn squash will do.” Every day we get
out of bed, close our weary eyes, and run
at the world till bed again sixteen hours later.
A little honey left at the corner of our mouth.






















Christopher Citro is the author of two full-length poetry books: If We Had a Lemon We'd Throw It and Call That the Sun (Elixir Press, 2021), winner of the 2019 Antivenom Poetry Award, and The Maintenance of the Shimmy-Shammy (Steel Toe Books, 2015), as well as the collaboratively written poetry chapbooks: I Wear a Top Hat When I Go Into the Forest (Ghost City Press, 2025) and The Box We Put the World in to Keep a Corner From Shattering (Aureole Press, 2025). His awards include a Pushcart Prize for poetry, and his poems appear in 32 Poems, Alaska Quarterly Review, American Poetry Review, Bennington Review, Best New Poets, Denver Quarterly, Gulf Coast, Iowa Review, Kenyon Review, Missouri Review, Ploughshares, Poetry Daily, and West Branch. His creative nonfiction appears in American Poetry Review, Boulevard, Southeast Review, Quarterly West, Passages North, and Colorado Review. Christopher is an editorial assistant for Seneca Review and lives in sunny Syracuse, New York.
Author Christopher Citro poses for the camera, propping his forearms on a dark surface and smiling slightly for the photo
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